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Posts from August 2006

Electric Picnic stage times; to be on RTE 2 & 2FM

Ep_1 Electric Picnic stage times have just been released (see following list), the music festival that runs from Friday to Sunday is to be broadcasted on RTE Two television, as well as on 2FM radio. Both at least part live, with an extended web radio channel for EP…

Q66 This exciting line up will not only be covered on our regular FM channel but also on our special RTÉ 2fm Electric Webnic [sic] channel. This is basically a second radio channel on [http://www.rte.ie/2fm] with undiluted live music and cool  low key vibes from Mark McCabe, Mr Spring, Conor G and Cormac Batlle ! Coverage begins on Friday when Rick O'Shea will bring inserts from Dan and Jenny atQ99 the Picnic and then full live coverage with Cormac Battle and Damien McCaul until mignight

Today FM DJ Tom Dunne and 2FM DJ Jenny Huston are to host the television program ‘Two Sounds: The Electric Picnic'. According to a RTE story, it “will be broadcast from the late afternoon until late in the night on Saturday 2 and Sunday 3 September. The TV listing currently list the program on Saturday from 16:45 - 19:00, and on Sunday from 17:35 to 20:30, then after other programming, from 23:20 to 00:30. There is currently no listing for EP on Friday night. [CG]

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Peeping Tom - Peeping Tom

Mike Patton fans have been patiently awaiting this much talked about and years in the making hip-hop project, Peeping Tom. Announced so long ago that some had begun to label it Patton's own ''Chinese Democracy''.

Peeping Tom was supposed to be the album that saw Patton return to more mainstream fare, the antithesis of his experimentation with projects such Fantomas and Adult Themes for Voice. To call Peeping Tom straightforward would be a mistake. This is as slick, dark and un-mainstream as hip-hop can get. First impressions may leave many asking what all the fuss is about. The album really comes into it's own when you take the time to really listen, and appreciate the depth to the music.

Take initial single, ''Mojo'' a harrowing song told from the perspective of an addict. This isn't the usual fluff that fills most hip-hop albums. Opening track ''Five Seconds'' is also a highlight, featurig as it does Patton's trademark vocal freak out, which has been imitated by countless rock vocalists over the years.

The pedigree of contributors to the album is a testament to Patton's influence, and power. Massive Attack, Dan the Automator, Dub Trio and a surprising Norah Jones all feature. In fact Patton manages to make Jones sound filthy, which is no mean feat. It just sounds wrong, yet so right. Thats the essence of the album, wrong music for wrong people, that still manages to transgress to a wider audience.

It may take a few listens to really appreciate but Peeping Tom could easily be the record of the year.

Craig Gallagher

The Revolution Is Not Being Televised

There is a quite revolution in music right now. You are probably part of it. If you have downloaded a song, own an mp3 player or discovered a band online you are a revolutionary. Technological advances in how we listen to music have reshaped the whole music scene in a way not seen before. What we play, where we play and even how we can play has never been so versatile. Unlike previous musical revolutions this revolution spans all genres. In the past music saw upheaval in a particular area due to a new style e.g. rock and roll, punk, rave. This revolution is not centred on musicians or a certain movement, it’s centred around the listener, that my friend makes you a revolutionary. 

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The Good The Bad & The Bubbly

CryThings have soured for Cristal.The champagne of choice for hip hop and R n’ B’s elite has fallen from grace. Long considered liquid bling since Jay-Z gave it props in his rhymes (and clubs), it is now getting an image drubbing at his hands. Feuds in Hip-Hop can start over the smallest matter but this is the first a rapper has thrown down to a bottle of crushed fermented fruit.

It started when Jay-Z took offence to a comment made by the managing director of the company who produce Cristal in an interview with the Economist. The question was posed regarding the association of the drink with the gaudy and violent world of Hip-Hop. Could this effect the image of the drink which was originally brewed for Tsars? The director responded “What can we do? We can’t forbid people from buying it. I’m sure Dom Perignon or Krug would be delighted to have the business."Never one to take such a viscous attack lying down Jay-Z later hit back  “Surly he meant to say thanks right? Anything but a thank you is dismissive, insulting and racist.”
He no longer stocks the brand in his clubs and has gotten his friends to join in his battle with the bubbly. Beyonce, Jamie Foxx and Rihanna has all publicly snubbed the drink in favour of other brands.

For once however, the final word does not go to a rapper. The company released a statement saying the claim of racism was unjust and added, in true Hip-Hop put down style, it had been “ a little bit dismayed at seeing our wine sprayed around rather than being sipped.” [DMcN]

Kazaa Goes Legit

Yep that’s right Kazaa, the long running and hugely popular P2P (peer to peer) music downloading site, has become a legal service. It was one of the largest networks on the net and seen by many in the music industry as the biggest name in music piracy. It has decided to move out of the shadows of P2P into the world of charge per download, and in an effort to kiss and make up with its future suppliers Kazaa has agreed to pay €53 million in damages to the music industry. This payment was sparked by a court case brought by four of the big name record labels; Sony, Universal, Warner and EMI.
It was huge in the P2P scene but it remains if it can hold its own against the big boys of legit downloads like itunes. [DMcN]

Flog Me Davy One More Time

Molly_picFlogging Molly are not your typical band. They are a seven piece monster in an era of minimalist groups. They do not consider themselves as punks but their sound has been embraced by the punk fraternity and have become a fixture on the Warped Tour. Oh and did I mention they play the fiddle, uilleann Pipes, banjo, mandolin accordion, tin whistle and of course the spoons among other things. That is not to say Flogging Molly are a trad. band either.

They infuse heart wrenching ballads with driving rock guitars and pounding drums. A supercharged version of the Pogues then? There are similarities between the bands but to imply that Flogging Molly are a just a Pogues spin off would not do them justice. Both bands have been influenced by trad. music but Flogging Molly have a sound all of their own and a lyricist of no mean skill.The founder and lynch pin of the band Dave King describes the band’s unique style like this,"If it didn't have mandolin, accordion, fiddle and whistle, it would be punk-rock, and if it didn't have guitar, bass and drums, it would be traditional Irish music. Flogging Molly has both."The power and energy of their live performances need to be seen to be believed. The usual clichés could be trotted out but manic is the only thing that comes close to capturing the energy they radiate on-stage.

Three studio albums and one live album into their career the band have just put out a DVD/CD double disc called Whiskey on a Sunday. The DVD is a documentary style look at the band as they tour and prepare to record their third album Within A Mile Of Home. King talks candidly about how the death of his father dominated his young life and shapes his lyrics. The lyrics of his songs swing  from tender and poignant to songs about pirates. Drink is often mentioned but what would you expect from a man who’s musical memories where shaped by people just back the pub! The CD part of this package contains acoustic versions of existing songs, live versions of favourites and a studio version of a song (Laura) which only ever appeared on the live CD. The double disc realise is really aimed at fans and if considered in that light it’s a success. It is more of a behind the scenes look at the band that a showcase of their talent. A full length concert would have been a much better method of that. There are live clips in Whiskey but not enough to properly show the true beast their music becomes when played live.

As with any Irish man with something personal to say politics are never too far from Kings mind. On the last studio album songs such as Screaming at the Wailing Wall which attacks Bush’s warmongering in Gods name and Tobacco Island which deals with Cromwell’s deporting of Irish as slaves to Barbados. Apparently all his songs are written on a typewriter from 1916.King achieved success in the early 80’s with Fastway which saw him coupled with Motorhead’s Eddie Clarke so he has been around a while but not so for the rest of the band. Nathen Maxwell (Bass) joined the band when he still needed a fake ID to see them play bars, and Matt Hensley (Accordion, Concertina) had being playing for about six months when he took up his place.

Flogging Molly are largely unheard on these shores but have a large following in both Europe and the US, where they are based. That too is slowly changing as they have played a number of gigs around the country and even got a space in last years Oxegen festival. While this new offering is more for those who have been converted their growing success in the world beyond these waters may hopefully push ‘em into the mainstream. [DMcN]

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